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  <body>&lt;p&gt;&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;strong&gt;Two Children Are Threatened by a Nightingale&lt;/strong&gt;&lt;br /&gt;
&lt;i&gt;after Max Ernst&lt;/i&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
Max Ernst saw an eye, a nose, a bird&#8217;s head,&lt;br /&gt;
a menacing nightingale and a spinning top&lt;br /&gt;
in an innocent knot of wood by his bed.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
I see faces in the Rorschach-like pattern&lt;br /&gt;
of the curtains, a profile of a man,&lt;br /&gt;
snoot-nosed and Victorian, condemning us.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
I dream I am in South Africa with a former lover,&lt;br /&gt;
we dodge bullets and buy postcards&lt;br /&gt;
of old houses, we touch each other&#8217;s skin.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
My son, worried by lightning, pulls out&lt;br /&gt;
the plugs all over the house; he stands still&lt;br /&gt;
at the window, wondering if airplanes will fall.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
And I don&#8217;t dare to tell him that airplanes do fall,&lt;br /&gt;
that people condemn, and that there is menace in more&lt;br /&gt;
than paintings of children threatened by a nightingale.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;p&gt;First published in &lt;i&gt;Poetry Ireland Review&lt;/i&gt;, Issue 97, April 2009&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
Also appears in the new anthology &lt;i&gt;The Watchful Heart &#8211; A New Generation of Irish Poets&lt;/i&gt;, ed. Joan McBreen, Salmon (2009)&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Other People&#8217;s Children&lt;/strong&gt;&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
I don&#8217;t take to other people&#8217;s children,&lt;br /&gt;
their odd manners and peculiar smells;&lt;br /&gt;
they are either ugly and inconsequential,&lt;br /&gt;
or beautiful and covetable,&lt;br /&gt;
but I don&#8217;t want them.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
And I don&#8217;t want them invading my home,&lt;br /&gt;
staring at me like little homunculi, sly,&lt;br /&gt;
greedy for goodies and praise, which I give.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
I&#8217;m not proud of the fact that I don&#8217;t&lt;br /&gt;
like other people&#8217;s children;&lt;br /&gt;
all my patience goes on loving my own,&lt;br /&gt;
on being a mother who gives in the right way.&lt;br /&gt;
&lt;br&gt;&lt;br /&gt;
And, I know I will fail my sons somehow,&lt;br /&gt;
maybe all-how, but still I try&lt;br /&gt;
&#8211; try my flawed best &#8211;&lt;br /&gt;
or somewhere near to it at least.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;</body>
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Two Children Are Threatened by a Nightingale
after Max Ernst

Max Ernst saw an eye, a nose, a bird&#8217;s head,
a menacing nightingale and a spinning top
in an innocent knot of wood by his bed.

I see faces in the Rorschach-like pattern
of the curtains, a profile of a man,
snoot-nosed and Victorian, condemning us.

I dream I am in South Africa with a former lover,
we dodge bullets and buy postcards
of old houses, we touch each other&#8217;s skin.

My son, worried by lightning, pulls out
the plugs all over the house; he stands still
at the window, wondering if airplanes will fall.

And I don&#8217;t dare to tell him that airplanes do fall,
that people condemn, and that there is menace in more
than paintings of children threatened by a nightingale.


First published in Poetry Ireland Review, Issue 97, April 2009

Also appears in the new anthology The Watchful Heart &#8211; A New Generation of Irish Poets, ed. Joan McBreen, Salmon (2009)


Other People&#8217;s Children

I don&#8217;t take to other people&#8217;s children,
their odd manners and peculiar smells;
they are either ugly and inconsequential,
or beautiful and covetable,
but I don&#8217;t want them.

And I don&#8217;t want them invading my home,
staring at me like little homunculi, sly,
greedy for goodies and praise, which I give.

I&#8217;m not proud of the fact that I don&#8217;t
like other people&#8217;s children;
all my patience goes on loving my own,
on being a mother who gives in the right way.

And, I know I will fail my sons somehow,
maybe all-how, but still I try
&#8211; try my flawed best &#8211;
or somewhere near to it at least.
</plain-body>
  <raw-body>&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
*Two Children Are Threatened by a Nightingale*
__after Max Ernst__
&lt;br&gt;
Max Ernst saw an eye, a nose, a bird&#8217;s head,
a menacing nightingale and a spinning top
in an innocent knot of wood by his bed.
&lt;br&gt;
I see faces in the Rorschach-like pattern
of the curtains, a profile of a man,
snoot-nosed and Victorian, condemning us.
&lt;br&gt;
I dream I am in South Africa with a former lover,
we dodge bullets and buy postcards
of old houses, we touch each other&#8217;s skin.
&lt;br&gt;
My son, worried by lightning, pulls out
the plugs all over the house; he stands still
at the window, wondering if airplanes will fall.
&lt;br&gt;
And I don&#8217;t dare to tell him that airplanes do fall,
that people condemn, and that there is menace in more
than paintings of children threatened by a nightingale.
&lt;br&gt;
&lt;br&gt;

First published in __Poetry Ireland Review__, Issue 97, April 2009
&lt;br&gt;
Also appears in the new anthology __The Watchful Heart &#8211; A New Generation of Irish Poets__, ed. Joan McBreen, Salmon (2009)
&lt;br&gt;
&lt;br&gt;

*Other People&#8217;s Children*
&lt;br&gt;
I don&#8217;t take to other people&#8217;s children,
their odd manners and peculiar smells;
they are either ugly and inconsequential,
or beautiful and covetable,
but I don&#8217;t want them.
&lt;br&gt;
And I don&#8217;t want them invading my home,
staring at me like little homunculi, sly,
greedy for goodies and praise, which I give.
&lt;br&gt;
I&#8217;m not proud of the fact that I don&#8217;t
like other people&#8217;s children;
all my patience goes on loving my own,
on being a mother who gives in the right way.
&lt;br&gt;
And, I know I will fail my sons somehow,
maybe all-how, but still I try
&#8211; try my flawed best &#8211;
or somewhere near to it at least.
&lt;br&gt;
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